ONE:The news of his liberation was carried that night by the mail coaches over all parts of the country, and produced extraordinary excitement throughout the south and west, particularly in Cork, which Mr. O'Connell then represented. There the whole population seems to have turned out, some of the streets being so packed that it was impossible to get along. Processions were soon formed, with bands of music, and green boughs. Even the little children were furnished with the emblems of victory. Along the country roads, too, as well as in the towns and villages, every little cabin had its green boughs stuck up, and its group of inhabitants shouting for "the Liberator." At night, in the towns, every house was illuminated, while bonfires blazed on the mountains, and the horizon seemed on fire in every direction. On the following Sunday the liberation of the prisoners was celebrated in the Metropolitan Church, Dublin. Archbishop Murray sat with his mitre on, and in his grandest robes, on an elevated throne, with crimson canopy. On the opposite side, beneath the pulpit, were chairs of state, on which sat O'Connell and the rest of the "Repeal martyrs." A Te Deum was sung for the deliverance of the liberator of his country; a sermon was preached by O'Connell's devoted friend and chaplain, the Rev. Dr. Miley, who ascribed the liberation, not to the law lords, but to the Virgin Mary.
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ONE:To contend against this enormous force, Buonaparte, by the most surprising exertions, had again collected upwards of two hundred thousand men of considerable military practice; but he dared not to name the conscription to a people already sore on that point; and he endeavoured to raise further reinforcements by an enrolment of National Guards all over France. For this purpose commissioners were sent down into the Departments, on the authority of an Imperial decree of April the 5th; and he proposed to raise as many federates, or volunteers of the lower ordersthe only class which had raised a cheer for him on his return. But these schemes proved, for the most part, abortive. In the northern Departments, where heretofore the commands of Buonaparte had been most freely obeyed, the inhabitants showed a sullen and dogged resistance, and the same was the case in Brittany. Farther south matters were worse. In the Departments of Gard, Marne, and Nether Loire, the white flag and cockade were openly displayed; and wherever the tree of liberty was plantedfor it was now the trick of Buonaparte to associate the sacred name of liberty with his, a name and a thing on which he had so uniformly trampledit was cut down and burnt. It was in such circumstances that Buonaparte had to put his frontiers into a state of defence against the advancing hosts. He had defended the northern side of Paris with a double line of fortifications; strongly fortified Montmartre, and on the open southern side cast up some field-works, relying, however, on the Seine as the best barrier. Paris he placed under the command of General Haxo; and the fortresses on the side of Alsace, the Vosges, and Lorraine were all strongly garrisoned. Lyons, Guise, Vitry, Soissons, Chateau-Thierry, Langres, and other towns were made as strong as forts, redoubts, field-works, and garrisons could make them; and trusting by these to retard the slow Austrians, and even the Russians, till he could have given a desperate blow to the Allies in the Netherlands, of whom he was most afraid, on the 11th of June he quitted Paris, saying, "I go to measure myself with Wellington!"
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ONE:Sir John Soane, who had been a pupil of Dance, Holland, and Sir William Chambers, introduced a more purely Greek style, and his achievements may be seen in Dulwich Gallery and Trinity Church, Marylebone. The most eminent disciples of this school were William Wilkins and Sir Robert Smirke. Wilkins was a servile copyist, and the National Gallery is the chief monument of his skill, or want of it. Sir Robert Smirke was of a higher order, and his erection of Covent Garden Theatre, the Mint, the Post Office, the College of Physicians, the law courts at Gloucester, Lowther Castle, etc., speak for themselves. Nash, the contemporary and successor of these architects, has left us abundance of his Gr?co-Romano-Italian medleys in the church in Langham Place, Regent's Park, and Buckingham Palace. The great merit of Nash was, that, like the brothers Adam, he gave us space, and showed, as in Regent's Park, what was needed for an immense metropolis. Towards the end[201] of the reign Gothic architecture was more cultivated, and one of Wyatt's last works was Ashridge House, in Buckinghamshire, a vast and stately Gothic pile, imposing in general effect, but far from pure in style. Still less so was Eaton Hall, in Cheshire, built by William Pordon; but the real Anglo-Gothic was now receiving the true development of its principles by the works of James Bentham, Carter, John Britton; and, finally, Thomas Rickman, in 1816, published his "Attempt to Discriminate the Styles of English Architecture," which placed these principles perspicuously before the public.
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